See Laouto
See Laouto
External links:
Properties |
---|
Constant: INSTR_LAOUTO |
Orchestra section: Plucked strings |
MIDI section: Guitars | Family: Lutes |
Comes from / Played in: Greece, Cyprus |
Names:
|
Tuning | Sounding | Written |
---|---|---|
C-G-D-A C3C4, G2G3, D3D4, A4A4 | ![]() | |
Kritiko laouto G2G3, D2D3, A2A3, E4E4 | ![]() | |
Politiko laouto, Lavta D3, A2A3, D3D4, A4A4 | D3 - F6 | ![]() |
See Laouto
Similar, and bigger than Bandurria, tuned in fourths, one octave below Bandurria.
External links:
Properties |
---|
Constant: INSTR_LAUD |
Orchestra section: Plucked strings |
MIDI section: Guitars | Family: Citterns |
Comes from / Played in: Spain, Cuba, Philippines |
Names:
|
Tuning | Sounding | Written |
---|---|---|
12-strings/Spanich G#2G#2, C#3C#3, F#3F#3, B3B3, E4E4, A4A4 | G#2 - D6 | ![]() |
12-strings/Cuba C#3C#3, F#3F#3, B3B3, E4E4, A4A4, D5D5 | C#3 - G6 | ![]() |
12-strings/Cuba, low D D3D3, F#3F#3, B3B3, E4E4, A4A4, D5D5 | D3 - G6 | ![]() |
14-strings/Filipino, Octavina F#2, B2B2, E3E3, A3A3A3, D4D4D4, G4G4G4 | F#2 - B5 | ![]() |
12-Laudón C2, F#2F#2, B2B2, E3E3, A3A3, D4D4, G4G4 | C2 - C6 | ![]() |
External link: Trio ASSAI - Bandurria's FAQ (archived)
Properties |
---|
Constant: INSTR_LAUD_CONTRABAJO |
Orchestra section: Plucked strings |
MIDI section: Guitars | Family: Citterns |
Period: 20th century |
Names:
|
Tuning | Sounding | Written |
---|---|---|
E-A-D-G E1, A1, D2, G2 | E1 - C4 | ![]() |
See Laúd
The Baryton-Martin, named after Jean-Blaise Martin (sometimes referred to as Light Baritone) lacks the lower G2–B2 range a heavier baritone is capable of, and has a lighter, almost tenor-like quality.
External link: Fach - Wikipedia
Properties |
---|
Constant: INSTR_LIGHT_BARITONE |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
See Politiki lyra
See Street Organ
See Mandola
See Politiki lyra
External links:
Properties |
---|
Constant: INSTR_LIUQIN |
Orchestra section: Plucked strings |
MIDI section: String and Orchestrals |
Comes from / Played in: China |
Period: Qing dinasty |
Names:
|
Tuning | Sounding | Written |
---|---|---|
Zhongruan G3, D4, G4, D5 | ![]() | |
Violin G3, D4, A4, E5 | ![]() |
External links:
Properties |
---|
Constant: INSTR_LIUTO_CANTABILE |
Orchestra section: Plucked strings |
MIDI section: Guitars | Family: Mandolins |
Names:
|
Tuning | Sounding | Written |
---|---|---|
C-G-D-A-E C2C2, G2G2, D3D3, A3A3, E4E4 | ![]() |
See Liuto cantabile
See Slide Whistle
According to J. B. Steane in Voices, Singers, and Critics, the basso profondo voice "derives from a method of tone-production that eliminates the more Italian quick vibrato. In its place is a kind of tonal solidity, a wall-like front, which may nevertheless prove susceptible to the other kind of vibrato, the slow beat or dreaded wobble."
External links:
Properties |
---|
Constant: INSTR_LOW_BASS |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
A low female voice.
External link: Fach - Wikipedia
Properties |
---|
Constant: INSTR_LOW_CONTRALTO |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
External links:
Properties |
---|
Constant: INSTR_LOW_WHISTLE |
Orchestra section: Flutes |
MIDI section: Pipes | Family: Whistles |
Comes from / Played in: Irland, UK |
Names:
|
Tuning | Sounding | Written |
---|---|---|
D | ![]() |
External link: Floor tom - Wikipedia
Properties |
---|
Constant: INSTR_LOW_TOM |
Orchestra section: Membranophones |
MIDI section: Drumkits | Family: Drumkit |
Names:
|
Sounds |
---|
|
Very rare instrument similar to the heckelphone, with slightly smaller bore and lower range.
Properties |
---|
Constant: INSTR_LUPOPHONE |
Orchestra section: Double reeds |
MIDI section: Reeds | Family: Oboes |
Names:
|
Tuning | Sounding | Written |
---|---|---|
C/Amateur | ![]() | |
C/Professional | ![]() |
See Cretan Lyra
See Cretan Lyra
A sweet, mild sounding baritone voice, lacking harshness. Many lyric baritone roles call for some fioritura and coloratura, a beautiful line, as well as a charismatic presenc
External links:
Properties |
---|
Constant: INSTR_LYRIC_BARITONE |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
The bass-baritone's required range can vary tremendously based on the role, with some less demanding than others. Some bass-baritones are baritones, while others are basses.
External link: Fach - Wikipedia
Properties |
---|
Constant: INSTR_LYRIC_BASS_BARITONE |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
A lyric mezzo soprano in a lower range; the resulting sound is less piercing, more lachrymose and rather sensitive. The voices are similar, giving rise to the term 'short soprano' i.e. a soprano without the highest notes. In fact, many lyric mezzos with strong extensions to their upper vocal registers make the transition to singing as sopranos at some point in their careers.
External links:
Properties |
---|
Constant: INSTR_LYRIC_MEZZO_SOPRANO |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
Description: A more supple soprano, capable of legato, portamento, and some agility; generally has a more soulful and sensuous quality than a soubrette, who tends to be largely flirtatious and somewhat tweety. The voice is very common; thus the purity and character of the basic timbre is essential. It is the "basic" soprano voice which is at neither extremes of the soprano range of voices; it is not known for having particular vocal attributes such as power, stamina, technical prowess, or agility. However, there are several lyric sopranos that possess a quantity of many of these vocal attributes, thus allowing them to sing a broader variety of roles. Nevertheless, the core of the true fundamentally lyric voice does not encompass such traits. Innocence, vulnerability and pathos are usually conveyed in the music written for the characters portrayed by the lyric soprano because of this endearing simplicity. This fach is also famous because the voices usually remain especially fresh until advanced age.
External link: Fach - Wikipedia
Properties |
---|
Constant: INSTR_LYRIC_SOPRANO |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
External links:
Properties |
---|
Constant: INSTR_LYRIC_TENOR |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
See Lyric comic Bass
Usually (but not always) a light soprano who has a high voice. Can often have small voices lacking the richness and resonance of a dramatic soprano. Must be able to do fast acrobatics with easy high notes. Many have extremely high ranges (with notes above the F of the "Queen of the Night"), but there are also singers in this Fach who do not regularly sing higher than the high E♭6.
External links:
Properties |
---|
Constant: INSTR_LYRIC_COLORATURA_SOPRANO |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
External links:
Properties |
---|
Constant: INSTR_LYRIC_COMIC_BASS |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
Italian version of this fach is the spinto, which literally translated means pushed. However this is not accurate in terms of these singers' vocal production. A lyric dramatic soprano has a lyric instrument that can also create big sounds, cutting through an orchestral or choral climax. This voice is sometimes referred to as a "young" or "youthful" dramatic soprano although this term doesn't necessarily refer to the singer's age but rather to the tonal quality of the voice. This fach is more clearly delineated in the German system than in the American system. Depending on the singer, however, this voice type can be versatile, as it lies at neither extreme of the soprano spectrum. Spintos are occasionally able to take on lighter mezzo roles or conversely, lyric and even coloratura roles.
External links:
Properties |
---|
Constant: INSTR_LYRIC_DRAMATIC_SOPRANO |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |
A tenor with a dramatic extended upper range with the necessary brightness to come through the orchestra's texture.
External link: Fach - Wikipedia
Properties |
---|
Constant: INSTR_LYRIC_DRAMATIC_TENOR |
Orchestra section: Voices |
MIDI section: Ensembles | Family: Opera voices |
Names:
|
Sounding | Written |
---|---|
![]() |